Page 59 - EMCAPP-Journal No. 21
P. 59

Alan is a Canadian/Bri�sh ci�zen. He has worked in the UK, Belgium and
                                      Canada as a Pastor. He was Member of the Senior Management Team
                                      at a Theological College in London. He has more recently been a Well-
                                      being Advisor, Faculty Member of our Hospital's Postgraduate Medical
                                      Educa�on Program, Lecturer in Psychology and Mental Health; Adjunct
                                      Professor at Ambrose University in Calgary, Associate Lecturer in Advan-
                                      ced Ethics for ERMC based at Westminster College, Cambridge.


                                      He was also a Lead Chaplain for the NHS for eight years. He is now semi-
                                      re�red. With his wife Val he live on the East Coast in the UK. Educated:
                                      London School of Theology, Regent College Graduate School, Vancou-
         Alan G. Palmer (UK)          ver; Oxford University, Anglia Ruskin University, Cambridge, Wesley
                                      House, Cambridge and the University of Greenwich.













              The journey con�nues with “Togetherness in Love”











        In reflec�ng on Werner’s piece, I find that I re-       others because we aren’t consciously aware of
        sonate with his journey of intricate discovery.         them. And there are parts of ourselves, our in-
        Human beings are o�en an enigma and com-                ner lives, our ‘shadow selves’ (5) that we hold
        munica�on between them is typically complex.            back from interpersonal communica�on. We
        The Psalmist, thanks God for making him so              employ what German speakers call Masken-
        ‘wonderfully complex’. (1) Some�mes, I am not           freiheit (6), the “safety of the mask”. Apparent-
        that thankful for this intense complexity. You          ly, the American author John Updike used this
        can    sense    a    similar   ‘bafflement’    in       technique. He hid behind the words of his wri-
        Shakespeare’s words in Hamlet, “What a piece            �ng. Updike grew up extremely self-conscious
        of work is man! How noble in reason! How infi-          about the ‘acne scars’ le� on his face from tee-
        nite in faculty! ... And yet, to me what is this        nage years. He found safety in sheltering from
        quintessence of dust? (2) Borrowing Churchill’s         public scru�ny by projec�ng his desired self
        words about the former USSR, we humans                  through his novels.
        seem to be a “contradic�on wrapped up in an             Having grown up in strict evangelical churches,
        enigma”, especially when it comes to commu-             I too have prac�ced Maskenfreiheit. I have hid-
        nica�on with each other.                                den behind ‘orthodox’ words, and outwardly
                                                                conformed to the ‘expected norms’ of conser-
        Becoming more fully Self-Aware.                         va�ve Protestan�sm. I have been a hypocrite in
                                                                the Greek sense of a ‘play actor’. I have worn
        The Johari Window (3) is helpful here, in that it       the mask that covers up my true thoughts and
        can help us in in terms our self-awareness of           feelings, unwilling to be transparent or vulne-
        just how transparent we are with others. There          rable because of the fear of being judged, sha-
        are parts of ourselves that are ‘unknown un-            med and rejected. I have not believed that
        knowns’, (4) we simply don’t reveal them to             church is a Psychologically Safe Organiza�on,




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