Page 4 - EMCAPP-Journal No. 18
P. 4

About the Artist











        „My series of pain�ngs in monumental format
        is a specialty of pain�ng I grew to love as a re-
        sult of my study in Germany. Having been clas-
        sically trained, I was equipped to move into a
        freer sort of pain�ng that enabled spontaneity
        in the form and anatomy of the figures, vegeta-
        �on, and the rich fabrics and pa�erns, all of
        which evolve as I work. I emphasize movement
        and intense color while maintaining the plan-
        ned order necessary to create complicated
        composi�ons. I especially enjoy pain�ng narra-
        �ves that weave a harmony between the Old
        and New Testament Scriptures.

        My art studies were in three schools that em-
        braced three totally different philosophies of
        working. My earliest study was at the American
        Academy of Art in Chicago, and the Art Ins�tute                   Rosemarie Adcock - USA
        of Chicago. At the first school I learned to paint,
        at the second I learned to think more deeply
        about my pain�ng as it related to the history of
        art in the centuries before me. At my third
        school, the State Academy of Fine Art in Karls-
        ruhe, Germany, I combined my classical influ-
        ence with the freedom of my spontaneous
        composi�ons and figures. Blending these flowi-
        ng composi�ons with refined detail has beco-
        me nothing short of exhilara�ng for me as an            See www.RosemarieAdcock.com
        ar�st.
                                                                In this issue of the eJournal we have selected
        It is my desire to draw my viewers into the             works by Rosemarie from her Biblical Pain�ngs
        beauty of a colorful composi�on as though               series.
        they were entering a new world. It is also my
        passion to share an ancient faith in a fresh and        Artwork ©Rosemarie Adcock. All rights reserved.
        vibrant way, displaying a part ancient, part fu-
        ture story, wherein we dwell somewhere bet-             From all the other works, here are two more
        ween, with our lives connected to the en�re             selected ones from the Pain�ngs from Life.
        narra�ve.“
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