Page 10 - EMCAPP-Journal No. 15
P. 10

About the Artist:

             John Freeman (Australia)



             by interview with Werner May




             Werner: First of all I would like to ask you to
             give us some insight  into  your  life  develop-
             ment, your family situation and your profes-
             sional ways.


             John: I have been married to Janie for nearly 40
             years, we have four grown up children and two
             beautiful  grandsons.  We  currently  live  on  the
             Fleurieu Peninsular in South Australia, a beau-
             tiful part of the world with sea, hills and grape
             vines. I trained as an Art teacher and taught art
             for over a decade. The next season of my life was
             focused on raising a family, and various entre-
             preneurial enterprises.
             I spent 30 years in the commercial environment    Around the time of my retirement we had an
             retiring  at  60  after  selling  my  online  training   incident in our Church community that caused
             company  to  a  University  consortium.  I  have   me to evaluate my life and critique my under-
             been retired for over six years and have had the   standing, knowledge and experience of God and
             great fortune to have the time to pursue my pas-  the  institutional  church.  After  a  considerable
             sions: family, reading and of course Art. It is in   amount of questioning, reading, reflection, and
             the past decade that I have returned to painting,   anguish, I stepped away from an Evangelical or
             first in my spare time and then after retirement,   Christian fundamentalist view of the world. I
             at my pleasure.                                   came to see, for me, that my understanding and
                                                               experience of the Divine was determined and
             My  current  work  endeavours  to  create         confined within a Christian Protestant frame-
             something beautiful, playful and joyful, but also   work.  It  was  a  structure  of  prescribed  beliefs,
             uses abstraction as a means to facilitate imagi-  dogma, and cultural bias that determined how I
             nation and self-awareness in the viewer.          viewed myself and my world.


             Now of course I am interested in your spiri-      For my journey, what became important to me
             tual development, because we stay not the         was an expression of love that was open, diverse,
             same person and not the same Christian in         and inclusive. I embraced mystery and the con-
             the years of our lives.                           templative path. A deep awareness of the divine
                                                               and a hunger for that presence in my life caused
             Having grown up in a loving, but rather dys-      me to seek in a broader more open manner of
             functional family, I became a Christian around    inquiry. My spiritual practice began to include
             nineteen years of age. I had what is described    readings from a diverse range of religious and
             as  a  “born  again”  experience  which  radically   theological perspectives, mindfulness, medita-
             changed my life, my values and how I perceived    tion and yoga. My life experience, education and
             the world. For about 25 years up until the time   openness has enabled me to come to a richer
             of my retirement, my family and I were very in-   understanding  and  experience  of  the  Divine.
             volved in a Protestant church, where I was an     Silence and stillness have been one of the doors
             Elder for over 20 of those years.                 that have opened me to this deeper awareness. I



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