Page 125 - EMCAPP-Journal No. 7
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Challenges for Christian Psychology



             God image: The God image is a psychological       1.  The imaginary companion frequently plays
             construct related to how a person feels toward        a specific positive role in the development
             God, e.g., trustworthy, consistent and comfor-        of the child, and once that role is fulfilled, it
             ting  or  untrustworthy,  inconsistent  and  his/     tends to disappear and is finally covered by
             her impression of how God feels about him/her         the usual infantile amnesia. 2) The functions
             (Grimes, 2007). This process reflects one’s emo-      served by the imaginary companion depend
             tional experience of God, an experience that is       upon the special needs of the child. 3) Some
             developed through an initially unconscious set        of the imaginary companion services to the
             of  relations,  in  which  parents  and  significant   child are (a) scapegoat for badness and ne-
             others play a crucial role (Schaap-Jonker, 2008).     gative impulses: the imaginary companion
             In this context, God image embraces both the          can be a projection of the child’s bad beha-
             experiential and the rational, since it relates to    viour; (b) confirmation and prolongation of
             one’s emotional experiences and cognitive un-         the child’s sense of omnipotent control; (c)
             derstanding of God as well (Hoffman, 2005).           assisting superego in the face of a weakened
                                                                   tendency  to  behave  well;  (d)  companion
             God concept: The “God concept” is defined as          for  a  lonely,  neglected,  or  rejected  child;
             one’s intellectual, theological understanding of      (e) corrective complement of painful reali-
             God, for instance, Almighty Saviour (Lawrence,        ty; (f) helper in moments of crisis to “avo-
             1997). In other words, the “God concept” is “the      id regression and symptom formation”; (g)
             God of the philosopher” about whom the child          impersonator of ego ideals from an earlier
             forms  an  idea  through  cultural,  religious,  so-  period (Rizzuto, 1979, p. 191).
             cial teaching imparted through liturgies, sacred
             books, images, symbols of the divinity (Rizzut-   In this sense, Rizzuto’s work and Nagera’s study
             to, 1970, p.4). In the next section, we discuss   allow one to better appreciate the link between
             further  the  link  between  the  imaginary  and   God  image  and  the  imaginary.  For  instance,
             God images.                                       Rizzuto (1979) reports the results of her psych-
                                                               iatric patients in terms of using the imaginary
             The imaginary and God images                      to draw their God image which she groups in
             Durand’s The Anthropological Structures of the    four positions: 1) those who have a God whose
             Imaginary (1960) and Rizzuto’s Theory of God      existence they do not doubt; 2) those wondering
             image (1979) are similar in the sense of elabo-   whether or not to believe in a God; they are not
             rating and re-elaborating inner images (i.e. an   sure God exists; 3) those amazed, angered, or
             Object Relation) to be able to deal not only with   quietly surprised to see others deeply invested
             existential  anxiety  but  also  with  change  and   in a God who does not interest them; 4) those
             meaning for life. Rizzuto, however, more specifi-  who struggle with a demanding, harsh God they
             cally stresses the function and the development   would like to get rid of if they were not convin-
             of  the  God  image,  while  Durand  has  a  more   ced of this God’s existence and power (p.91). As
             generalized approach that allows structures to    stated above, within the context of the imagina-
             consider cultural influences when dealing with    ry, images are created to deal with anxiety and
             anxiety over the passage of time and with the     fear of time passing by (Rizutto, 1979; Durand,
             fear of death (Durand, 2005).  Rizzuto (1979)     1999). On this very central point, Rizzutto and
             also  enters  into  the  field  of  the  imaginary  in   Durand’s theories do converge.
             terms of forming the God image (i.e. an Object    The anthropological structures of the imagina-
             Relation) to walk with the person throughout      ry has been adopted for this study since it has
             the life journey. For her, this process is condi-  been empirically validated through the creation
             tioned by one’s culture, religion and one’s own   of an instrument, the other words, the imagina-
             needs; she bases her argument on the study of     ry is set up to compensate for disappointment,
             Nagera (1969) who assesses the significance of    to develop a shield against fears and provide al-
             imaginary companions for ego development in       ternative solutions (Boia, 1999).  Furthermore,
             dealing with distress as follows:                 Durand (1999) searched through the fields of

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